(I) A treatise on Shakespeare is incubating. Contents forthcoming.
(II) Producing Languages and Forms of Cinematic Capital: Circulation, Movement and Thought. The textual project now contains 100,000 words. The endeavor finds creative inspiration in Walter Benjamin’s philosophy of history, in Pierre Bourdieu’s social theory, in Niklas Luhmann’s systems theory, in Gilles Deleuze’s philosophy of cinema, in Jacques Lacanian-Slavoj Žižekian theoretical psychoanalysis, and in Jacques Rancière’s idea of “indisciplinarity” and “the equality of intelligence” (adapted from Joseph Jacotot). The study aims both to differentiate new forms of capital in the cinematographic image, and to find new non–sadistic and non-authoritative ways of inhabiting the cinematic frame. This would be in the service of a new form of circulating and movement force, ‘un-power’. Objects analyzed include gestures, ideas, movies, and scenes from the following directors: D.W. Griffith, Fritz Lang, F.W. Murnau, Orson Welles, Michelangelo Antonioni, Alain Resnais, Chantal Akerman, and Terrence Malick.